本文来自广美附中AIP官网：
序言/Preface
每一代人都有着他们经历的事情，因为经历过这样的事情所以每一代的人都会带着每一代人的印记。不久前我曾经有幻想过他们布置毕业展时候的样子，可能是为了一颗钉子没有钉好而反复的上上下下爬梯子或者是一边看着自己的画面一边的去摆弄，又或者是在最后的毕业照的时候大家一起拍个照片。
但是这样的情景已经不能实现了，毕竟在经历过这么大的一次医疗问题后大家的心理有些时候会变得有些敏感，社会人和人之间保持了一定的距离。
出于综合的考虑学校安排了这样的一场线上的展览，某程度上弥补了其中的一些遗憾，也是对于学生这三年来的努力的展示和肯定。
作为他们的老师其实是感动安慰的，他们也是我在AIP一路陪伴着成长的学生，三年前我刚到学校工作第一批带着的学生就是他们，到现在他们毕业，取得了好的成绩，也使我觉得这是我教学成果最好的体现。
在这个展览里面插画组的学生展示出了他们多元化的想法和各种各样的表现能力，作为他们的老师我有些时候惊讶的发现他们在某方面已经超过我了，青出于蓝而胜于蓝，我非常替他们高兴。他们已经把插画的当代概念非常好的用他们的作品来诠释了，无论是二维的传统绘画，新媒体绘画，还是到手工书籍的制作，模型的制作，动画短片的产出。都能代表着插画在他们心里其实是一个都么有趣的专业。比起那种标榜着大道理的画展来说这样的展览更加有着活力和创意，插画的定义虽然已经被形式固定了下来，但是每一代人对它却有着自己的诠释，也正是因为这样才能把插画更加好的传承下去。因为这些作品告诉了我们究竟插画的未来应该是什么样子的。
Every generation has its own experiences, for which each generation bears its unique hallmark. I pictured what it would look like when students graduate not long ago. They might be climbing the ladders up and down because a nail is not knocked firm into the wall. They might be moving the works back and forth. Or, they might take a group photo together at the end.
However, that can hardly be realized today. Having suffered from the coronavirus pandemic, people become sensitive sometimes and start to maintain social distancing.
Therefore, the school scheduled such an online exhibition to make up for it and also affirm the efforts paid by the students over the past three years.
As their teacher, I feel touched and comforted because I witnessed their growth at AIP. Three years ago, when I just got here, they were my first students. With them graduating and yielding fruitful outcomes in study, I feel like this is the best epitome of my teaching.
At this exhibition, students from the illustrations group presented diversified ideas and versatility. It takes me by surprise sometimes knowing that they have surpassed me on some fronts. But it gives me great pleasure seeing them excel their predecessor. The students have well interpreted the contemporary concept of illustrations in their works. Be it traditional two-dimensional paintings, new media paintings, handmade books, modelling or animated short film production, it all demonstrates what an interesting major Illustration is. Compared with the large-scale exhibitions flaunting grandiose ideas, this exhibition is more vibrant and creative. Although the definition of illustrations has been made clear, each generation has its own understanding towards it. Exactly because of that, they can better inherit it as the works envision what the future of illustrations should look like.
插画专业 学生作品
01 赵思一
光
【作品介绍】
我们生活在一个光明与黑暗的时代。
我们生活在一个信仰与崩溃的时代。
我们生活在一个充满希望和绝望的时代。
我们正朝着相反的方向前往天堂。
我们享受击败自然的胜利，而自然对我们进行报复。
天黑了，我们能看得更清楚吗？
阳光普照，投下光芒，这是拯救人类的准则。
抓住光明，摆脱黑暗。
We are living in an era of light and darkness.
We are living in an era of faith and collapse.
We are living in an era of hope and desperation.
We are on our way to heaven, at the opposite direction.
We enjoy our victory over nature, while nature retaliates against us.
It is completely dark and can we see the starlight more clearly?
The sun shines, casting a light which is the guideline to save mankind.
Grab the light and get out of the darkness.
02 吴佳
The Meaning Of Being Alive
【作品介绍】
我有时候会思考，我们所有人都会死去，最终地球会被毁灭，所有的成就也好文明也好最终都会消失，那么我们活着的意义到底是什么？
在调研中我自己总结出了一个结论-------人类也好动物也好植物也好都只是一个容器，用于容纳灵魂，这样灵魂能有个实体聚集在一起也就不孤单了。所以我参考了西方中世纪的地图，尝试着把所有的生物画在一起，形成一种大团圆的感觉。
I sometimes think, all of us will die, the earth will be destroyed eventually, all the achievements or the civilization will disappear eventually, so what is the meaning of our life?
In my research, I came up with a reason that I think -- human beings, animals and plants are all just containers for souls, so that souls can have an entity to gather together and not be lonely.So I referred to the western medieval maps and tried to draw all the living things together to form a "happy reunion" feeling.
Because the original size is too large, the image is compressed and slightly blurred after uploading.
03 邓子菁
台风-怪物派对
【作品介绍】
以台风为主题的怪物派对。
画面所呈现的是蜂拥而至的海浪啊、台风啊、小火苗都纷纷朝我赶来，有点儿像藏在暗处举办的聚会。这些角色都代表了成长之后我所面对的那些纷沓而至的压力和难题。我感觉到一直在被追逐与拉扯。
The paintings are rushing waves, typhoons, and small flames all rushing towards me. It's kind of like a party just starting in a dark place. These roles all represent the pressures and problems facing me after growing up. I feel that I have been chased and pulled.
04 左心同
巫毒娃娃
【作品介绍】
画面内容展示的是姐姐为了救助被诅咒的妹妹，进入了施咒者内心的世界。她在进入里面世界的一瞬间抬起了头，天上的眼睛注视着入侵者，亡灵在尖叫，触手在试图缠住她，把她拖向深渊。
（画风有参考伊藤润二）
This picture is for the elder sister to enter the world of the cursemaker in order to save the cursed younger sister. She raised her head at the moment when she entered the world, eyes in the sky were watching the intruder, the undead were screaming, tentacles were trying to entangle her, and dragged her into the abyss.
(The painting style has reference to Ito Runji)
05 刁睿佳
被遗忘的空间站
【作品介绍】
不像其他女孩，我从小就喜欢玩恐龙模型和汽车玩具。
所以、亲戚们寄给我的娃娃都被放在仓库的角落里了，逐渐被遗忘。这个地方就像一个漂浮在太空中的太空站，里面的娃娃变得扭曲和怪异。有一天，一个娃娃宇航员闯入了娃娃博物馆，但它像其他娃娃一样永远消失了。我用灰色的笔触和大块的黑色来表达这个被遗忘的地方的黑暗、怪异和神秘。
Unlike other girls, I have loved playing dinosaur models and car toys since I was a child.
So the dolls that my relatives sent me were forgotten in the corner of the warehouse. This place is like a lost space station floating in space, the doll inside becomes distorted and weird. One day, a doll astronaut broke into the doll museum, but it was lost forever like other dolls. I use gray-tone strokes and chunks of black to express the darkness, weirdness and mystery of this forgotten place.
06 陈贝易
Terror Stories
【作品介绍】
这个作品是由四个小故事组成，这些故事最终都以bad end收尾。
我自己就有看这种恐怖漫画的兴趣，我是家里最常接触这类恐怖漫画作品的人，亲朋好友都不喜欢这些创作品，他们认为只要是创作这种作品的人都是心理不健康的。但在我看来“恐怖”真正的作用是另一种给予人们警告的表达方式，让人们去发现如果不遵守规则会造成什么不良后果，在以后能避免同样的事情发生。
This work is composed of four short stories, all of which end with a bad end.
I have an interest in watching this kind of horror comics myself. In my family, I am almost the person who is most exposed to this kind of thing. My friends and family do not like this kind of thing. I think anyone who creates this kind of work is mentally unhealthy. of. But in my opinion, the real role of "terror" is to warn people in another way, let people find out what bad consequences this will cause, and avoid the same thing in the future.
07 杨文君
景观
【作品介绍】
该项目是根据旧住宅的草图绘制的，是结合项目开发进行研究的。
灵感来自我在广州一个老旧社区居住的经历。我发现即使已经不在那个社区生活，但它对我仍然对我充满吸引力。那些老建筑楼通常挤在一起，室内光线很差。
This project is drawing based on the sketch of the old dwelling house, and it was research combined with the development.
The inspiration has come from the experience when I live in an old community in Guangzhou. I find even I am no longer live there anymore, but that place is still attractive to me. Those old buildings are usually crowded together and the indoor light is poor.
指导老师 林子霖
■英国皇家艺术学院版画硕士学位毕业；
■伦敦艺术大学坎伯韦尔艺术学院视觉艺术插画学士学位毕业；
■六年艺术教学经验，2019广州有轨电车艺术列车《70变迁，剪影羊城》指导老师；
■曾参与2019伦敦艺术大学校友会九人插画展；澳门当代国际艺术家版画交流展；深圳双击/香蕉酱 国际当代艺术交流展；上海大学生艺术博览会等等；曾任职于广告公司、画廊等文创机构，作品多次参与海内外展出。
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